Photography :: photo picture photograph

Missing Images Photography wasn’t considered a form of art in the United States until the turn of the century when a man named Alfred Steiglitz fought throughout his lifetime to make sure we recognized it as an art form. It was only used as a form of science up until then. There is a lot of chemistry when it comes to photography; mixing different chemicals for film and paper as well as the four or five different â€Å"baths† for each the film and paper. And to know what film to use, which paper and what chemicals will form the best possible images. This is why most people pay to get their film developed. Photography is really complex due to the different kinds of sciences, art and imagination involved. We’ve already mentioned the chemistry, and very briefly the art of photography; now we will explore some of the physics of photography. Light rays, lenses, mirrors and prisms are a few examples of physical forms of photography. On the next page are three images to help understand the significance of the cameras lens, and the complexity of controlling the light waves. The first image is of a man smoking a tobacco pipe in front of an exposed sheet of film. Shown are two focal points of light rays bouncing in all directions. Instead of producing an image onto the film, the rays will just completely expose the film. The second image is of the same man, but in the middle of him and the sheet of film is a convex lens. What the convex lens does differently is redirect the light path from one single point onto corresponding point on the film. The third image is an example of why we use convex lenses instead of other lenses. The first lens in the picture hit the lens straightforward, not refracting. The second lens is similar but at an angle so some rays are refracted but the rays are not affected and continue to go straight.

Succubus Heat CHAPTER 21

There was really only one thing I could say. â€Å"You're here to kill me.† That would have been a great cue for him to say something like, â€Å"No, of course not† or â€Å"Why would you think that?† Any of those responses, or a variation, would have been immensely reassuring. Instead he said: â€Å"Not yet.† â€Å"Shit.† I took a couple steps back, knowing it wouldn't do any good. Even if I'd been in full succubus mode, there was no way I could fight against him. Roman was a nephilim, Jerome's half-human bastard son. Nephilim were a kind of odd mix between lesser and greater immortals. Nephilim hadn't been around since the universe's creation, but they had been born immortal and could potentially possess the same range of powers as a greater immortal. Roman was every bit as strong as Jerome, but unlike my boss or his equals, Roman didn't answer to any higher power. He was rogue, which made him dangerous when he was pissed off. And he had every right to be pissed off at me. Angry at the way Heaven and Hell hunted their kind down, Roman and his twin sister Helena had gone on a vigilante hunting spree to get back at other immortals. I hadn't known that when he and I were dating, and eventually, I'd been instrumental in stopping them-and getting his sister killed. â€Å"What are you doing here then?† I asked at last. Roman's posture was casual as he crossed his arms and leaned against the wall. He looked exactly as I remembered, enormously tall compared to me, with soft black hair and those gorgeous eyes. â€Å"You sound disappointed,† he said. â€Å"Do you want me to kill you?† â€Å"No! Of course not. But I can't really think of any other reason you'd be here. Somehow I doubt you're here for a social call.† Despite my fear, my sarcasm still managed to function. Carter had told me it was unlikely Roman would ever return to Seattle, knowing that he and Jerome would be on the lookout. Except, I realized uneasily, Jerome was no longer here to keep watch. â€Å"I'm here to help find my illustrious sire.† Roman's voice was smug as he spoke, and I was sure he was taking a great amount of pleasure in watching my reaction. I hoped he was satisfied because while my jaw didn't exactly hit the floor, it came pretty close. â€Å"Bullshit.† â€Å"Why don't you believe me?† â€Å"Because you have no reason to!† My fear was being overridden again, this time by incredulity. â€Å"You hate Jerome.† â€Å"Yeah, that's true.† â€Å"Stop playing with me then. You're not here to help.† â€Å"No? Then how come I helped you with the seal's notes?† â€Å"You didn't-† I froze for a moment. â€Å"Oh lord. That was you.† â€Å"Really,† said Roman amiably. â€Å"You should be a lot nicer, considering all the things I've done for you.† â€Å"Yeah? I don't recall you wasting your time wandering aimlessly along beaches.† â€Å"Nah. I've been too busy blowing up stoves and carrying injured damsels to bed.† I sank into a chair and closed my eyes. â€Å"It really wasn't Carter.† The angel had been telling the truth about noninterference. I opened my eyes again. â€Å"And you gave me the matches, didn't you? That's exactly the kind of fucked-up thing you'd do.† He put on an offended air. â€Å"That was pretty nice of me, considering how you looked like you were ready to have a withdrawal seizure then and there.† â€Å"This doesn't make sense. You can't be here to help find Jerome. What's really going on?† â€Å"Does the reason matter if I help find him?† â€Å"Yes! It matters if you want to find him, only so you can promptly destroy him.† â€Å"I don't want to destroy him.† â€Å"I have no reason to trust you.† His eyes narrowed a bit. â€Å"And I have no reason to trust you, if memory serves.† I shrugged, almost too weary to be afraid anymore. â€Å"Well, then, we're even, huh? Except, of course, that you can channel your mistrust into blowing me off the face of the earth.† â€Å"And you could tell the demon horde out there that there's a nephilim in the city.† Roman laughed. â€Å"Oh, they'd love that, wouldn't they? If one of them could hunt down and kill a nephilim, that'd pretty much cinch their position here.† â€Å"Yeah, like I'd get a chance to tell anyone.† I sighed. â€Å"Roman, if you're not going to destroy me, then what exactly do you want with me? Why did you save me all those times?† â€Å"Because you're the only one in this fucking town with any chance of finding Jerome. And you can move around a lot more freely than I can.† â€Å"Um, last time I checked, you're the one in the Junior Smiting League, not me. I don't have any pow-abilities right now to defend myself.† â€Å"Yeah, but if you're caught poking around, people aren't going to declare open season on you†¦I mean, aside from that bitch demoness.† I grimaced at the memory, and Roman pushed forward. â€Å"Look, Georgina, we can sit and argue whether I'm going to kill you or not, or we can try to figure this out and get your boss back. Then we can explore me killing you in more depth.† â€Å"God,† I groaned, standing up. I needed my cigarettes. Roman watched me light up. â€Å"New habit since I was last around.† â€Å"Old one, actually. And I'm not in the mood for lecturing.† I sat back down, feeling much more settled with my nicotine. Aubrey wandered out shortly thereafter, apparently not afraid of a sociopathic-yet still eerily sexy-immortal hanging out with us. â€Å"So, what's there to figure out? It was Grace. You said you saw the seal around her neck.† Roman eased himself into a chair from my kitchen table and scooted up. â€Å"I did. Makes sense that she'd keep it as close to her as possible, though that takes some balls to have it out in the open that much.† â€Å"So why won't you let me tell anyone, then?† He tsked. â€Å"Think, Georgina. Who are you going to tell? Which demon in this whole mess do you think you can trust? None of them like Jerome. None of them want him back.† â€Å"I was going to tell Hugh.† â€Å"You can't tell anybody . I was walking along with you today when Cedric popped in.† It figured. There was no telling how long Roman had been following me invisibly. â€Å"If he was telling the truth about not telling Nanette about your theories, then that means one of your friends tipped her off.† â€Å"No,† I said stubbornly. â€Å"It's more likely that Cedric was lying. None of them would have betrayed me.† To my complete and utter astonishment, Aubrey jumped on Roman's lap. He scratched her head absentmindedly. â€Å"Well, believe what you want, but I don't think it's safe to tell anyone yet. Except me, of course.† â€Å"Right. The guy who wants me dead.† â€Å"Eh, we can talk about that later. For now, let's go over what we know.† I wasn't really keen on the casual way we were tossing around my impending doom, nor did I like that I still didn't know why he was here. Keeping my mind on Jerome did help, though, and it was nice to finally have someone to truly brainstorm this stuff with. â€Å"We know Grace was the demon who helped with the summoning,† I said. â€Å"There could be more, you know.† â€Å"Yeah, but there's only one archdemon position.† â€Å"True. Just don't rule other possibilities out. She and that other demoness here are pretty tight.† I thought about Mei, whose poker face was as good as Grace's. â€Å"Yeah†¦although, they seem to be operating pretty independently now. But, for the sake of argument, we'll stick with Grace. So, we know she was part of the summoning and has half of the seal. What we don't know: where the other half of the seal is, who helped her, and where Jerome actually is.† â€Å"Kind of daunting,† he mused. A thought suddenly came to me. â€Å"Wait a minute†¦you might make this simpler. A greater immortal can break up Jerome's prison. With you, we don't need to actually find the whole seal to free him-or get the half we know about from Grace.† Roman turned sheepish. â€Å"Well†¦I don't know for sure that I can do that.† â€Å"Why not? You've got the same powers as Jerome.† â€Å"My strength is the same as his when it comes to fighting and whatnot, but I don't have exactly the same powers. I'm not truly a greater immortal. I don't know if I could break him out without the seal.† â€Å"Lovely. We're back to where we started.† â€Å"I don't know. We should just take this one step at a time. Let's keep trying to find him and figure out where the other half of the seal is.† â€Å"We're running out of time,† I murmured, stubbing out the cigarette. â€Å"So, why are you smoking again?† â€Å"That's not really important right now,† I snapped. â€Å"I don't know. If I had a mortal body, I'd be kind of worried about that.† â€Å"I'm not mortal. And I'll be back to my normal self in a few days at most. Probably much sooner.† â€Å"Is it because of Mortensen?† â€Å"We are not talking about that right now.† â€Å"Never thought you'd be one to take a break-up so hard, seeing how easily you deal them out. In fact†¦has anyone ever even broken up with you before?† I fixed him with a glare, so annoyed that I didn't care if he wanted to try to kill me. â€Å"We are not talking about that right now.† â€Å"Fine, fine. What other info do we have, then?† I racked my brain. â€Å"The cult†¦the Army of Darkness. I think there's a connection with Jerome's summoning and their activities. Whoever's controlling them-well, Grace, I guess-times their stunts to take attention away from other things.† I recapped what I knew of their stunts and what they lined up with. â€Å"Not all of their activities correspond exactly to some part of the summoning, though. At least not that I know about.† Roman was thoughtful. â€Å"Hmm†¦well, it's possible some may not line up with anything. A few may be red herrings, sort of to establish their presence. I didn't always follow you to Canada, so I don't know exactly what they're like.† â€Å"Wow. Your stalkerdom has limitations.† â€Å"Seemed like a big pain,† he said. â€Å"Aside from maybe going to Tim Hortons.† Nephilim couldn't teleport like greater immortals, so he was limited with normal transportation when following me around. Uneasily, thinking of my activities with Seth, I wondered just how much Roman had spied on me. It wouldn't have been the first time he'd taken a front-row seat to my intimate activities. If he wasn't going to mention it, I wasn't going to. â€Å"They've been quiet ever since the day of the summoning, when they were down here. I guess Grace has nothing left for them to do,† I said. â€Å"Likely†¦Ã¢â‚¬  His mind was still apparently spinning with suspicion. â€Å"But if I were you, I'd talk to them again.† I cringed. â€Å"No†¦I want to be done with them. You don't know these guys like I do. It's ridiculous.† â€Å"All I know is that you've got to turn over every rock you can find-no pun intended-if you're going to rescue Jerome.† â€Å"Oh, I've got to, huh?† I asked. I didn't really like the presumption in his voice. â€Å"I thought you were going to help find him too?† â€Å"I will. Tomorrow. When are you going to search again?† I thought about it. â€Å"Noon. After work.† There was a knock at the door, and I moved over to the eye hole. â€Å"It's Dante,† I murmured. To his credit, he usually knocked first before using his key. I rested my hand on the knob and gave Roman a questioning look. â€Å"I'll find you at noon,† he said. â€Å"Hold the door open a sec after you let him in.† Roman turned invisible, and I pulled the door open. Dante came in, and I stood there a few more moments until I felt the sweep of someone moving past me. Everything had happened so quickly today that I barely had time to realize that not only I had just made contact with the guy who wanted to kill me, but I'd also just made arrangements to spend time with him. Man. This was going to keep me up when I tried to sleep later. I shut the door and gave Dante a quick kiss on the cheek. He was carrying a bag, and I had to do a double-take. â€Å"Did you buy something from Macy's?† I exclaimed. â€Å"I somehow imagined you stepping into a department store would be like a vampire stepping into the sunlight-I mean, current situation aside.† Dante rolled his eyes and set the bag down. Crossings his arms, he leaned against the wall. â€Å"Well, maybe I'm in stasis too. Forget about this for a sec and tell me if you've gotten yourself on any demon's shit list today.† There it was again, the sweet concern in spite of his best efforts. â€Å"Not that I know of, but hey, the day's not over yet.† I glossed over the specifics of who I'd gone searching with, mainly emphasizing that my time at the beach hadn't turned up anything. I also mentioned Cedric's visit and his claims that he hadn't told Nanette about my suspicions. Dante seemed skeptical of that. Finally, I wrapped up with Grace's appearance, and at that point I faltered. I wanted to tell Dante about my amazing discovery, about how Grace had the seal. Yet Roman had urged me to keep it all to myself. Why? Was he really that mistrustful of everyone? Did he have his own ulterior motives? Against my better judgment, I bit my lip on telling Dante about my discovery. It killed me to do it, particularly since I had a feeling Dante could have some insight. Roman's warning was too strong, however, as was my fear that he might actually still be around invisibly. And of course, I could hardly tell Dante about Roman. Fortunately, Dante didn't pick up on any omission of information. â€Å"You had kind of a full day, succubus. Did the corporate demon ever come talk to you?† â€Å"Not yet. I haven't had a chance to talk with the gang to see if he's been making the rounds.† I eyed the Macy's bag, dying to know what was in it. Dante kicked it behind him. â€Å"What are you going to tell him?† I shrugged. â€Å"I don't know. I'll tell him what I know about Seattle, and as far as recommendations†¦well, I don't know.† I could no longer trust Grace, and Mei's role was still a mystery. Dante noted my change of feelings but not the reasons. â€Å"From what you'd said before, I thought you were a fan of Grace and that other demoness.† â€Å"Mei,† I supplied. â€Å"I don't know. It's all just wearying.† Eager to shift away from the subject, I pointed at the bag. â€Å"Are you going to tell me what's in that?† He gave me one of his mocking grins. â€Å"Why do you think it has anything to do with you?† â€Å"Because there's no way you'd shop at Macy's for yourself. You dress only marginally better than Carter.† Dante shook his head, wearing a long-suffering look. â€Å"Fine, fine. I'll keep it for myself.† He picked up the bag and headed off down the hall. After a few moments, I followed and tackled him in the doorway to my bedroom. â€Å"Come on! Give it up.† I snatched the bag away, but my victory was small since he didn't put up a fight. I opened it up and gasped at what I found. Folds and folds of shimmering purple fabric, silk the color of new spring crocuses. Hesitantly, I lifted it out of the bag, revealing a long, ankle-length robe. I looked up at him in astonishment. â€Å"What's this?† â€Å"You're the one with years and years of higher learning,† he pointed out, looking extremely pleased with himself. â€Å"You tell me.† I held it up, gauging its height. It looked just about perfect. â€Å"It's gorgeous. What's the occasion?† â€Å"I was tired of hearing you bitch about that ratty one you've got. And tired of seeing it, to be honest.† He ignored my glare. â€Å"Besides, you've had a, uh, difficult time lately. Even for you.† I thought back to other things, like the flowers and breakfast. All the attempts at dinners. â€Å"Dante-â€Å" He pressed a finger to my lips. â€Å"Look, be quiet a second. I'm not blind. I can tell how much all of this is stressing you out. And fuck, if I could get my hands on that bitch demon†¦Ã¢â‚¬  Anger glinted in his eyes, and he took a moment to shake it off. â€Å"Anyway, you can keep making your jokes or whatever and keep doggedly doing your best to sleuth away and find Jerome, but you're running yourself into the ground. You're depressed. You're distracted. When we talk, it's like your mind's somewhere else. Same with our sex life.† I opened my mouth to argue, but I wasn't sure what to say. He was right. I had been distracted, but a good part of that-particularly during intimate activities-hadn't had anything to do with Jerome. It had been Seth on my mind. Dante kept speaking before I could get a word out. â€Å"See, now, you're going to apologize. Because that's what you do-but there's no need, succubus. If anyone gets some selfish time right now, it's you. In another week or so, things'll be back to normal, and I'll be the selfish one.† Something in my heart twisted. Everyone said he was scum, but in the end, it turned out I was the untrustworthy one. I averted my eyes. â€Å"So where's the robe fit in?† â€Å"Something to cheer you up. Since your wardrobe's been trimmed.† â€Å"Dante, you've been getting me a lot of stuff lately. You don't have to throw money at me-money you don't have-to make me feel better.† â€Å"If I didn't have it, I wouldn't ‘throw' it,† he remarked dryly. â€Å"And anyway†¦I'm not really the kind of guy who does, like†¦the candles or the moonlit beaches or recites poetry.† I grimaced. â€Å"I don't mind staying away from beaches for a while.† â€Å"But,† he continued, â€Å"I know you well enough to know that mochas and silk make you smile, and that, at least, is something I can do.† My heart twisted further, and I reached out to catch hold of his hand. I understood what he was saying. It wasn't in his nature to do over-the-top romantic gestures, but material purchases were something he could handle, and it was the only way to show me he cared. My guilt redoubled because no matter what he said, I knew he was tight on cash. Yet, my actions and fixation with Seth were worrying Dante enough that he felt he had to do something. I was driving him to it. â€Å"You're sweet,† I said. â€Å"But don't worry. It'll be our secret.† He brushed his fingers through my hair. â€Å"Not that sweet. Look in the bag.† I did. Underneath the robe, unnoticed by me, was a bottle of bubble bath. I held it up questioningly. â€Å"I thought we could take a bath together.† I laughed. â€Å"That's almost romantic. You might be closer to moonlit beaches than you think. Although, my bathtub's kind of small.† â€Å"I know,† he said. â€Å"That's what I meant about it not being very sweet. Mostly I want to see what kind of interesting positions we can cram ourselves into while naked and in a small space.† â€Å"Well, thank God that in a world gone mad, some people never change.† It turned into a wet, soapy mess, but it was more fun than I expected. No matter what he claimed, the whole feat was semi-romantic. Conversation was easy and light, and we laughed and joked a lot. I almost forgot about Seth-almost. But when things started to get a little hot and heavy, I pulled back. No matter how sexy it was to be wet and naked with someone, it just didn't feel right if that person wasn't Seth. What made me feel worse was that Dante was accommodating about my mood. He figured my lack of desire was part of my stress, and so we eventually left the tub as chastely as we'd entered. We toweled each other off and then curled up on the couch and watched TV together while I tried not to feel too guilty about the purple robe wrapped around me. I decided the next day to finally add myself back to the bookstore's work schedule. I only put me down for part-time shifts until the demon business was settled, but at this point, it seemed unlikely I'd be recalled to Canada again. My limbo status couldn't last forever if I wanted to keep my job; Warren's leniency would only last so long. Roman and I had our plans to go to Edmonds at noon, so for my first official day back, I only worked a morning shift. Part of that shift involved coming in before the store was even open, and I welcomed the solitude. The store always soothed me, and if ever there was a time I needed soothing, it was right now. It was short-lived, however, since my other coworkers began trickling in not long after my arrival. Maddie was among them. â€Å"Hey,† she said brightly, popping into my office. â€Å"Is this another check-in or are you back for good?† â€Å"For good, I think. Not that it matters. It looks like everything's been fine without me.† She grinned and shut the door behind her. â€Å"Oh, we've missed you, believe me. No one's been here to referee my fights with Doug.† I laughed and watched her sit down. â€Å"Well then, I guess I got back just in time. Nice shoes.† Maddie extended her legs and admired her candy apple red pumps. â€Å"Thanks. Nordstrom's having a sale.† The brown leather Mia heels I currently wore were among my favorites, but after a week now with no shape-shifting, my wardrobe was starting to make me stir-crazy. It was kind of like my hair, I realized. I hadn't realized how dependent I was on shape-shifting to enhance my appearance. I'd lauded myself for living like a human when in truth, I'd been cheating the whole time. Seeing my wistful look, Maddie asked, â€Å"You want to go downtown for lunch and check it out?† I shook my head with regret. Looking at shoes sounded a lot better than looking at rocks. â€Å"Can't. I've got to meet someone.† â€Å"Ah, well, let me know when you get some time. You know I'm game.† Silence fell, and Maddie shifted uncomfortably. She bit her lip, like she wanted to say something. I started to prompt her, but she spoke first. â€Å"So, what did you think of the condo listings?† â€Å"Oh, they were†¦Ã¢â‚¬  Fuck. I'd never even read through them. Roman and Dante had spent more time looking at them than I had. Which one had Dante mentioned? â€Å"They were great. I really liked that new one-the one where you can still get in on the choices and stuff.† Her eyes lit up. â€Å"Ooh, yeah. I loved that one too. I actually looked them up on the builder's website. It doesn't look like there are many left, but there has to be at least one, or they wouldn't be listed. We should go down there and talk to them in person.† I smiled, feeling horrible about the lie. â€Å"Sure†¦but it may be awhile before I can get a break. We'll have to do it and the shoe trip at the same time.† Maddie nodded, face kind and sympathetic. â€Å"No problem. I understand.† More silence fell, and I realized it wasn't the condos that she wanted to talk to me about. That had been a distraction to build up her own courage. â€Å"Maddie, what's going on?† Her cheery look disintegrated into something much more glum. It was startling. I was so used to her always being in a good mood that the thought of something upsetting her was on par with the laws of physics breaking down. She met my eyes and immediately looked away. â€Å"Oh God. I can't believe I'm about to bring this up.† I was seriously worried now. â€Å"You can tell me. It's okay. What's up?† She sighed. â€Å"It's Seth.† Oh, fuck.

Graffiti and vandalism acts in our community Essay

Introduction Graffiti and vandalism are a major blight on communities. Vandalism can lead to important services, such as public telephones, being damaged so that they don’t work, or removed, for example bus shelters, to protect from further harm. Vandalism can make the environment untidy, and graffiti can be offensive. All of these things contribute to an air of decline, and can lead to people fearing crime more. Acts of vandalism can include breaking windows, smashing up payphones, and graffiti. Many incidents of vandalism and graffiti are not reported. This is often because it is against private property and the victims do not consider it serious enough to tell the police, or think that the police won’t be able to do anything about it, or find the culprit. Sometimes, the people who own the property (for example, the gas board) are based a long way away, and never see the damage to complain about it. Vandalism and graffiti are a criminal offence under the Criminal Damage Act 1971. The penalty for vandalism and graffiti is a maximum fine of 500 and/ or 3 months in prison if the value of damage is less than 000. The court can also make a compensation order. Possessing equipment with intent to cause damage is also an offence, and, if intent can be proven to the court, spray paint would be included as such equipment. Types of graffiti There are many different types of graffiti: Tagging: this is perhaps the most frequent type of graffiti. People have their own signs, or ‘tags’, which identify them. These are put in as many places as possible to show that the writer has been there, to mark out their territory. ‘Pieces’ are the larger pictures, more traditionally associated with graffiti. These can have some artistic merit in the correct context. Glass etching: sometimes also called ‘Dutch graffiti’. This is where people scratch into glass, for example on a bus or train, with a sharp implement like a stone or bottle top. Writing slogans: these are often just sprayed onto large walls, and are often designed to be offensive. They may be racist, sexist or homophobic. Other slogans may be political. Who vandalises or graffitis? Young people are associated with a great many incidents of vandalism and graffiti. The scribbling of names and more simple ‘tags’ are known to come from children and young people. Many use felt-tips, or other commonly available materials. Other people are also involved – telephone boxes may be vandalised by people trying to get money out of them; political activists may write their slogans on blank walls or conventional artists may use graffiti in their art. Why do people do it? Here are some of the reasons why people graffiti: Offenders gain pleasure from finishing a piece of graffiti without getting caught and then afterwards from the permanence of their work. The problem grows as other vandals follow and what started as a single ‘tag’ ends up as a wall covered in graffiti. Young people’s eagerness to mark their territory. This can take on a more sinister form when gangs use it to stake out a claim to an area or to intimidate the local community and potential rivals. It can be because people see nothing better to do, or they want to be daring. Peer pressure can lead to people, especially younger people, doing things they would not normally do. This is made worse by the use of graffiti in youth culture, for example in advertising and music. Spaces are built with little consideration for design, so that large blank walls become enormous ‘canvases’. Problems caused by vandalism and graffiti The problems of vandalism and graffiti go much further than the obvious costs of repairs and cleaning. It causes fear of crime and a sense of insecurity. There is evidence that people’s fear of crime is influenced by their impression of public spaces which are dingy and run down because of vandalism, litter and graffiti. Graffiti can make people feel threatened and vulnerable, particularly if it is racist, sexist or homophobic. The ‘Broken Windows Theory’, developed in America, suggests that if a broken window is not repaired, other windows will soon be broken in response to the message that no one cares. It is argued that more broken windows or greater vandalism will influence the way people perceive crime in the area and will assume that other crime is also on the increase. What can I do about it? Investment to tackle graffiti and vandalism has to be long-term. If it is cut back when the problem starts to improve, the problem will come back. What can we do about vandalism? As with graffiti, repairing the damage as soon as it is done can deter vandals from causing further damage. When the vandalism is to property, securing empty houses with metal screens over the doors and windows can be effective, but this does advertise the fact that the house is empty and can encourage vandals. It also adds to the  air of disrepair in an area, and makes people feel less safe. Video recordings of incidents can be used to alert parents and can be used as evidence in court. What can we do about graffiti? Research shows that the best way to deal with graffiti and stop it coming back is to clear it up immediately. However, there are a great many websites for displaying photos of graffiti so the perpetrators may not be that worried about their graffiti being removed, as they get recognition this way. Cleaning up graffiti is something your community could get involved in. Tenants’ and residents’ groups often have volunteer ‘graffiti squads’. If yours doesn’t, why not suggest it at the next meeting? Some councils offer free paint to people who want to paint over graffiti in their neighbourhood. You could suggest your council does this. Another idea is providing a legal site where people are allowed to graffiti. There are mixed views on such graffiti walls or zones. There is some evidence that they bring their own problems, as graffiti tends to spread out to surrounding walls. Also, it is unlikely to stop users doing illegal graffiti elsewhere. Young people are attracted to legal graffiti zones because they don’t have to rush and don’t have to constantly be afraid of being caught. They have time to produce a good piece of work. However, most young people prefer to tag whereas the owners of the wall or site usually prefer pictures. Another problem is young people graffiti-ing on their way to or from the legal graffiti site. One project got round this by providing all the paint on site. Innovative designs of walls, with more windows or unusual materials may help, as it reduces the amount of ‘blank canvas’ available. Even better is to have railings instead of walls where possible, as this not only limits the possibility of graffiti, but also increases natural surveillance, making people feel safer. Where large walls are inevitable, for example around an industrial site, using murals to decorate the walls may stop people putting their own ‘pictures’ there. If public art is not a possibility, using vegetation, for example ivies and creepers, can help with stopping people graffiti. It also makes the area look more attractive. Other ways to limit graffiti and vandalism in your neighbourhood include: Educating young people about the impact which graffiti and vandalism have on the wider community (e.g. making people feel unsafe, costing millions of pounds a year to fix and clean up) Young people are often unaware of the cost of cleaning up graffiti or repairing criminal damage. They need to know that it is unacceptable and is taken seriously. Helping find other things for young people to do [link to yp section] What can schools and youth services do? Schools or youth groups can ‘adopt’ badly vandalised areas, such as subways or playgrounds, keeping them clean and well looked-after. These schemes work best where young people can get involved in the design or creation of the area themselves, for example by creating a mural or planting trees. The same approach has been used successfully by targeting groups of young people who are thought to be responsible for some of the damage. Detached youth workers can make contact with the young people and establish what they would like to do instead. A practical construction project often appeals. There are many examples of successful projects where young people have taken pride in what they have created and ensured that it stays vandal-free. What can others do to help? Agencies owning buildings or utilities which are prone to vandalism can assess the location and design of these to see if vandalism can be reduced. Measures might include: Demolishing unused buildings, or finding a temporary use for them (such as a youth centre). Relocating services, e.g. phone boxes and bus stops, so that they are closer to other facilities where they may be less prone to vandalism. Better damage-reporting procedures and quicker repair. Target-hardening, e.g. better lighting, toughened glass, graffiti-resistant paint. Authorising graffiti in some areas, e.g. graffiti walls. Probation service community service schemes may be able to help with repairs and graffiti removal. Under the Crime & Disorder Act, the court can require offenders to repair damage done by imposing a Reparation Order.

Neil killed himself......... essays

Neil killed himself......... essays When Mr. Keating stood upon his desk he said a quote that everyone took in except Neil. He said I stand up here to remind myself that we must constantly look at things in a different way. Neil never understood that his father only wanted what was best for him. Instead he saw a monster that didnt care about how he felt. He did think about this though to himself, others and Mr. Keating. However he was never able to express himself to his father. Really the only time where did stand up for himself was while he was doing the play and asking for forgiveness. He had many opportunities to sort out there problems but he never took them. This was shown in the movie when Mr. Perry tells Neil to drop some extra-curricular activities. Neil could have said Well I want to do this but instead said Well you know me Im always doing too much. This is where Neil went wrong. He at things in a different way but Neil never did. This is one reason why Mr. Keating is not responsible for Neils death. At the opening of each dead poet society meeting a quote was said. I went to the woods because I wanted to live deliberately, I wanted to live deep and suck all the marrow out of life. All the boys took this to heart and beyond. They seize every moment when it came. Mr. Keating showed the boys that in life you have boundaries, seize every moment but dont go too far. He showed what was right and encouraged them to do the same. Mr. Keating told Neil to talk to his father after his father said he was to quit the play. Words and ideas can change the world but Neil second-guessed his father words by saying that his father would never understand. Mr. Keating even went as far as saying to Neil that soon he would be out of school and that he could do whatever he wanted to do but Neil never took this advice. Words and ideas can change the world. This line in the movie o ...

Different Types of Natural Selection

Different Types of Natural Selection One important thing for teachers to do after introducing a new concept is to check for complete student understanding of the main ideas. They also must be able to use the new knowledge and apply it to other situations if a deep and lasting connection of other scientific and evolution concepts is to be obtained. Critical thinking questions are a good way to monitor a students understanding of a complex topic such as the different types of natural selection. After a student has been introduced to the concept of natural selection and given information about stabilizing selection, disruptive selection, and directional selection, a good teacher will check for understanding. However, sometimes it is hard to come up with well constructed critical thinking questions that apply to the Theory of Evolution. One type of somewhat informal assessment of students is a quick worksheet or questions that introduce a scenario to which they should be able to apply their knowledge to come up with a prediction or a solution to a problem. These types of analysis question can cover many levels of Blooms Taxonomy, depending on how the questions are worded. Whether it is just a quick check on understanding vocabulary at a basic level, applying the knowledge to a real world example, or connecting it to prior knowledge, these types of questions can be adapted to the class population and the teachers immediate needs. Below, there are some of these types of questions that use a students understanding of the types of natural selection and links it back to other important ideas of evolution and various other science topics. Analysis Questions Use the scenario below to answer the following questions: A population of 200 tiny black and brown birds is blown off course and ends up on a fairly large island where there is a lot of open grassland with small shrubs right next to rolling hills with deciduous trees. There are other species on the island such as mammals, many different types of vascular and non-vascular plants, an abundance of insects, a few lizards, and a somewhat small population of large birds of prey similar to hawks, but there are no other species of small birds on the island, so there will be very little competition for the new population. There are two types of plants with seeds edible for the birds. One is a small-seeded tree that is found on the hills and the other is a shrub that has very large seeds. 1. Discuss what you think might happen to this population of birds over many generations with respect to the three different types of selection. Formulate your argument, including backing evidence, for which of the three types of natural selection the birds will likely undergo and debate and defend your thoughts with a classmate. 2. How will the type of natural selection you have chosen for the population of birds affect the other species in the area? Choose one of the given other species and explain what sort of natural selection they may undergo because of this sudden immigration of small birds to the island. 3. Choose one example of each of the following types of relationships between species on the island and fully explain them and how co-evolution may occur if the scenario plays out how you described it. Will the type of natural selection for these species change in any way? Why or why not? Predator and Prey relationshipMutualistic relationshipCompetitive relationship (for food, mates, etc.) 4. After many generations of offspring of the small birds on the island, describe how natural selection could lead to speciation and macroevolution. What would this do to the gene pool and allele frequency for the population of birds? (Note: Scenario and questions adapted from Chapter 15 Active Learning Exercises from first edition of Principles of Life by Hillis)

Sovereignty is much spoken of in international relation but it is an Essay

Sovereignty is much spoken of in international relation but it is an increasingly meaningless concept in reality.do you agree discuss - Essay Example This uncertainty appears from at least two reasons, These two issues raise interrogations about the fixity of the concept of sovereignty often implicit by international relations intellectuals. A more classy view of sovereignty now visualize states and no state actors as affianced in a continual process of renegotiating the nature of sovereignty. de facto sovereignty is the ability in fact to do so (which becomes of special concern upon the failure of the usual expectation that de jure and de facto sovereignty exist at the place and time of concern, and rest in the same organization). Foreign governments recognize the sovereignty of a state over a territory, or refuse to do so." Externally, sovereignty can be considered as the "entry ticket" into the society of states. Recognition on the part of other states helps to ensure territorial integrity and reliability and is the reception into participating in diplomacy and international organizations on an equal grip with other states. To have sovereignty, a state must have an enduring population, it must have a distinct territory, it must have a supervision, and it must have the capacity to enter into political relations. No other unit could be regarded as a sovereign state, whatever its actual power. Yet, this definition is progressively more meaningless. As t As the concept of state sovereignty weakens in relevance, so notions of ethnic sovereignty have full-fledged. Yet, sovereign states have adhered stubbornly to their rights, rights which have become more valuable as they become rarer. The notions of sovereignty are not easily clear or elucidated. To a large degree this is because they are chiefly political concepts, rather than simply legal doctrine. With the growth in the international agreements, accords, rules and codes, national autonomy is becoming less relevant. This inclination is becoming more obvious in the modern viable settings, and especially the internet Now a days self-rule-self rule, self-generation and total independence from outside sources which we call sovereignity is meaningless in reality. . Without this quality in its genuine form, no one either the nation or individual has been able to achieve the happiness, health and peace which they are looking for. Generally a factual, cognizant state of sovereignty is absolutely grave for authentic, lasting satisfaction during the Earth experience. If we are not completely obvious as to the nature of this state, it's not astonishing. In premeditated harmony with

Strikes Research Paper Example | Topics and Well Written Essays - 2750 words

Strikes - Research Paper Example As a means to an end, it recommends strategies that an organization can implement to maintain a successful working relationship with the unions. The management plays a pivotal role in a firm. It ensures that the working environment is conducive for the employees; hence, reducing cases of strikes. It also works jointly with the unions to improve the welfare of the workers and ensure high productivity. Additionally, it controls and manages the activities of the firm to guarantee smooth running of the business. Most of the organizations have unionized employees; thus, the unions ensure that the rights of the workers are fully protected. On the same note, they impact organizations negatively and positively. For instance, they ensure increased profitability, reduced turnover, and improved relationships with the employees. However, in case there are disagreements, there is likelihood of engaging in strikes; hence, low profit and negative publicity. In that case, organizations need to work jointly with the unions by seeing them as partners and developing a strategic partnership with them that is based on respect and trust (Ghosh, 2 005; Tschida, 2006). This discourse focuses on discussing the role of the management and unions in an organization. It also gives a detailed summary of the effects that unions have on the management. Finally, it recommends strategies that organizations can implement to create a productive working relationship with the unions. It is without doubt that the trade unions play a major role in enhancing productivity; thus, managers should work together to maintain a positive working setting that is based on mutual trust and social cohesion. Managers are paramount in a firm as they ensure all activities are in accordance to the stipulated goals. The main role of an organization’s management is to guide firms towards accomplishing their goals as well as